Research Outcomes

Coventry Biennial 2023: The silt has risen from the ocean floor and overturned everything, Ryan Hughes
Instituting Interconnecting Cosmologies: Documenta History, German History, and Art History in the Wake of Aby Warburg, Joseph Beuys and ruangrupa, Christa-Maria Lerm Hayes
Brian O’Doherty’s Social Practice, Christa-Maria Lerm Hayes
Brian O’Doherty: Reading Time, Christa-Maria Lerm Hayes
Aspect Change, Oscillation, Parallax, Untranslatability: Approaching Inconsistency in Joseph Beuys’ Work, Christa-Maria Lerm Hayes
Brian O’Doherty / Patrick Ireland’s Map Works: A Modest Proposal to Decolonize Ireland, Christa-Maria Lerm Hayes
Site-specific Performances and Community Activation: Participative Theatre in Florence beyond Overtourism and Gentrification, Benedetta Bronzini, University of Modena and Reggio Emilia
Reflections on the First Season of Coventry Biennial Cycle Club, Ryan Hughes
Reflexivity as Organisations: In Conversation with Coventry Biennial and Home for Cooperation, Marley Treloar, Ryan Hughes and Andri Christofides
Stop measuring, start understanding! An arts policy and management researcher’s autobiographic account of the urgency of an ethnographic turn in research on the values of art, Francesco Chiaravalloti
What Does He Need? Reflections on a cross-sectorial and transdisciplinary project unfolding in public, Fiona Whelan
Walking cities in lockdown, Jaspar Joseph-Lester and Simon King
What is normal, Barbara Holub
Re-inventing life as commons during the pandemic crisis, Stavros Stavrides 
Editorial, Andrew Hewitt, Mel Jordan and Emma Mahony
Contested Fronts Archive: Emancipatory urban practices for constructive conflict transformation, Socrates Stratis
Beyond the neo-liberal value discourse towards a concept of social wealth, Emma Mahony
On trying to be collective, Andrew Hewitt and Mel Jordan​
Learning from Critical Social Art Practice: Disassembling and Reassembling the Social, Mel Jordan, Marley Treloar and Andrew Hewitt
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