Researchers

Fani Arampatzidou

MayDay Rooms, UK

Fani is an educator, theatre practitioner and activist. For the past eight years she has been working in the cultural heritage sector, co-running MayDay Rooms, a radical history archive, and setting up the East End Women’s Museum in London. Alongside her archival and museum work, ie building collections, programming events, talks, exhibitions, and publications to promote their activation, she has been involved in designing and delivering political education projects, researching the convergence of oral history, the paper archive and education. She is currently looking into archival and historical dissemination practices in the public space, mainly using oral history and verbatim theatre.

https://maydayrooms.org/

Secondment destination
National Technical University of Athens, Greece, September 2022

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Georgia Perkins

SIRIUS, Ireland

Georgia Perkins is a Curatorial Fellow at SIRIUS, Cobh, County Cork, Ireland. Georgia has worked on numerous exhibitions and events with artists and writers such as Daniela Ortiz, Chila Kumari Burman, Shen Xin, Marie Brett, Anton Vidokle, Gregory Sholette, Amanda Rice, and The White Pube. During the SPACEX-Rise project, she investigates polluted aquatic ecologies in the currents of late capitalism. This research draws from the geographical context of the Cobh port area, where SIRIUS is situated, and her doctoral research into molecularity, indeterminacy and the sensible. She is also a tutor and doctoral candidate at Goldsmiths University of London and a visiting lecturer at Winchester School of Art. She has three book chapters to be published by Routledge and Sternberg Press in 2023 and 2024. 

http://www.siriusartscentre.ie

Secondment destinations
Royal College of Art, London UK, August – November 2022
Coventry University, UK, January – March 2023
University of Northampton, UK, October – November 2023

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Kallia Fysaraki

National Technical University of Athens, Greece

Kallia Fysaraki is a PhD candidate and teaching assistant at the School of Architecture of the National Technical University of Athens. She graduated from the Department of Architectural Engineering at the University of Patras and holds a master’s degree from the Postgraduate Program Research in Architecture: Architectural Design – Space – Culture of the NTUA. Since 2010, she has been a co-founding member of cultural groups and research collectives, such as Pismones Chori (transl. stubborn spaces/espaços teimosos), Revisiting On the Commons part of the Laboratory for the Urban Commons (LUC), etc., where she co-initiated self-learning processes, public interventions and actions towards space-commoning. Her doctoral research focuses on photography as a practice of habitation of the public space, exploring published amateur photographs from the example of the Occupied Squares movement of 2011-2013.

Secondment destination
CASCO, September 2023

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Ilaria Speri

Director, The Wonder Cabinet

Ilaria Speri is a curator and manager of exhibitions, cultural projects, and publications. She holds a Master in Photography from NABA Milano (2012), executive training in Management at the SDA Bocconi (2020-21), and completed Ashkal Alwan’s Home Workspace Program 2021 (Beirut). For ten years she worked in Milan as a producer and curator with Fantom and the creative consultancy studio Boiler. In these contexts, she worked extensively across the Mediterranean, with institutions such as Arte Fiera Bologna; Bardo National Museum, Tunis; Beit Beirut, Lebanon; Fundació Enric Miralles, Barcelona; the Florence International Crafts Fair; Les Rencontres Internationales de la Photographie de Fès, Morocco; Manifesta Biennial, Palermo; and Triennale Milano. A former lecturer on the History of Photography at the Academy of Fine Arts in Bologna, she was curatorial coordinator of the festival Fotopub in Novo Mesto, Slovenia, and a photography correspondent at Il Giornale dell’Arte (2015-20). Her writing has been published in books and magazines, most recently in ‘Dixit Algorizmi. The Garden of Knowledge’ for the Pavilion of Uzbekistan at the 59th Venice Biennale. She moved to Bethlehem, Palestine in March 2022 to take on the direction of the Wonder Cabinet.

https://wondercabinet.space/

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Hayriye Rüzgar

Home for Cooperation, Cyprus

Hayriye is the Program Planning & Communications Officer of the Home for Cooperation. She holds a BA in Political Science and International Relations from Boğaziçi University/Istanbul and a MSc in Communication Science from the University of Amsterdam, with a focus on Political Communication. Her thesis was a case study of Cyprus, where she conducted a comparative content analysis on the framing of municipal and parliamentary election campaign periods, testing the “personalization of politics” argument.  Although she is not currently continuing in academia, moving onwards, Hayriye is particularly interested to explore the potential of art as a political tool in creating a space for expressing alternative narratives, and the ways it can be utilized for campaigning by different political actors.  

www.home4cooperation.info

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Emer Grant

NN Contemporary Art, UK

Emer Grant is the current Artistic Director and CEO of NN Contemporary Art, a National Portfolio Organisation in Northampton. She is a Curator, Producer, and Researcher who completed her studies at CCS Bard College (USA) the University of York (UK), and the University of Brighton. Emer was a Fellow for The Recalibrated Institution (Miami) and Curator at Art Center South Florida (now Oolite Arts). Prior she has curated shows and programming for various institutions including the Hessel Museum (NY), P! Gallery (NY), ISCP (NY), Stroom den Haag (NL) Void Gallery (NI), Pollinaria (IT), Yeah Maybe (MN), PHL (DE) and The Grand Parade Gallery (UK). She was Visiting Tutor at the RCA, Visiting Curator at Bard College MFA, Visiting Curator at the University of Minnesota Studio Arts BFA and Visiting Critic for Florida International University’s Architecture BFA programme. and has written for various publications including, Nero, Electronic Beats, The Editorial, The Miami Rail and Rhizome.

She was a fellow selected for the ICI (Independent Curators International) 2013 and has consulted for various organizations on Digital Arts and interdisciplinary strategies for public space, she was also an Associate Curator for Left Gallery (Berlin). Emer initiated and developed the 4.7 mil capital project at  24 Guildhall Road, Northampton, due to be completed in 2024. The renovations of the old Town Hall built in 1927 ( across 5 floors & 2000 sqm) will become NNCA’s new permanent home. Facilities will include a new gallery space, project space, education studio and civic reading room.  NNCA plays a unique role in the ecology of the visual arts in the town and region, focusing on how artist-led institutions can be developed and defined for the 21st century.

Secondment Destination:
Athens: June 2023

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Martina Magri

University of Modena and Reggio Emilia

After a degree in cinema studies at Paris I University (Panthéon-Sorbonne), a master’s degree in applied literature with a specialisation in screenwriting at Paris IV University (Paris-Sorbonne) and a training for cameramen at École des Gobelins, she worked as a screenwriter (Sélenium Films, Atelier Farnèse) and audiovisual editor. She was a research fellow at the University of Siena (DISPOC), where she worked on the design of a digital storytelling platform for the National Diary Archive (Pieve Santo Stefano, AR), and at the University of Modena and Reggio Emilia (DSLC), where she worked on the development of the LAMA Laboratory (Audiovisual Materials Laboratory), dedicated to transmedia narratives applied to research. She is currently a PhD student at the University of Modena and Reggio Emilia. Her research project focuses on the audiovisual device as a tool for analysing the social and for the production of new sociality, and in particular as a support for self-narratives and interactions produced by migrant subjects.

http://dslc.unimore.it

Secondment destination:
Project Arts Centre
June 2024

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Aline Hernández

Casco Art Institute: Working for the Commons, The Netherlands

Aline Hernandez is a curator working at Casco Art Institute: Working for the Commons in Utrecht, the Netherlands. Currently, she is conducting a SGSAH-funded PhD which explores issues around performance and performativity in archives and counter-archives of (trans)gender violence in Mexico at St Andrews University, Scotland. Hernández holds an M.A. in Media, Art, and Performance Studies from Utrecht University with a specialization in Gender Studies. She is a member of the artist/activist-run cooperative Cráter Invertido and of the trans-local ecosystem Arts Collaboratory.

https://casco.art/

Secondment destination:
TBC

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Marianna Takou

Casco Art Institute: Working for the Commons, The Netherlands

Marianna Takou is a researcher and organizer from Athens, Greece. She is currently based in Utrecht, where she works as a producer, organizer and researcher at Casco Art Institute: Working for the Commons. She first became part of the ecosystem of Casco as a volunteer in 2013. Since 2019, as part of the team, she has been working on different aspects of Casco’s operations and is a member of the Arts Collaboratory network.

With a background in Sociology and training in International Development, she holds an MSc in Sustainable Development. Her research interests and organizing focus on feminist and queer practices in mobility, migration, the commons and the degrowth movement.

https://casco.art/

Secondment destination:
TBC

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Vittorio Iervese

University of Modena and Reggio Emilia

Vittorio Iervese is Professor in Sociology of Cultural and Communicative Processes at the Department of Linguistic and Cultural Studies, University of Modena and Reggio Emilia.

He conducted research on visual culture, visual sociology, cultural design, festival studies, conflict management, intercultural communication, social participation, sociology of childhood. His latest researches are on the use of still and moving images to build narrative memories (SHARMED. Shared Memory and Dialogue) and a study on new digital platforms for audiovisual and culture (CLAP – Cultural Lab Platforming). Since 2017 he is President of Festival dei Popoli – Istituto Italiano per il Film di Documentazione Sociale, with which he collaborated since 2007 in the programming of the competition and for which he curated several sections and retrospectives. He is the director of the advanced course in Digital Humanities (Dhialogue) and the Festival of interactive and immersive transmedia narratives (VRMF – Virtual Reality Movie Festival)

http://personale.unimore.it/Rubrica/dettaglio/viervese

Secondment destination:
Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V.
February 2023

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