History of the spacex project

The spacex project began in 2017, when Mel Jordan (then at the Royal College of Art) secured funding to develop an EU proposal with training and development support. This funding enabled Jordan to employ Emma Mahony (then part-time at National College of Art and Design) to help refine the project concept and approach potential partners.  Mahony had recently completed a PhD focused on how critical art institutions and collectives open up spaces of resistance capable of rewriting art’s neoliberal value system. One of her case studies focused on the Freee Art Collective, who Jordan was a founding member.

At the time, Jordan was co-supervising a PhD with Socrates Stratis (University of Cyprus) and Jordan and Mahony invited Stratis to join the project as a key collaborator. Statis research focuses on the role of architecture and urban design in uncertain, plus contested contemporary urban environments. The initial submission in 2017 achieved a strong score of 72% enabling resubmission. A second application in 2018 scored 84% but still fell short of funding.

In 2019, the Royal College of Art was unwilling to support a third resubmission. As Mahony was part-time and Stratis was engaged in other commitments, the group agreed to invite Andy Hewitt (University of Northampton) to join as the fourth member of the team. Hewitt submitted the proposal on behalf of UON and was named as the Project Co-ordinator. Jordan and Hewitt have a long history of collaboration, working together as Hewitt & Jordan, as members of the Freee Art Collective, and currently as the Partisan Social Club. Their shared research centres on spatial practices, the role of art, and the intersections between art, politics, regeneration, and policy. In 2009, Mel Jordan, together with Dave Beech and Andy Hewitt, established the ‘Art and the Public Sphere’ Journal, to support critical discussion on art and its publics, while interrogating concepts of space and the conditions of artistic production.

With Hewitt as Project Co-ordinator and UON as the lead institution, the team restructured the proposal, recruited new partners (a process that continued after the award in 2020 due to Covid-related challenges), and strengthened the project’s management plan, which had previously been identified as a weakness. The resubmission in 2019 was successful, achieving a score of 92% and securing funding.

Project Team & Work Package Leads

Andy Hewitt

Project Co-ordinator, Work Package Lead 1 (Project Management)

Mel Jordan, Prof.

Research Co-ordination Group, Work Package Lead 2 (Practices), Work Package 5 (Dissemination & Communication)

Emma Mahony, Dr.

Research Co-ordination Group, Work Package Lead 4 (Archives) Work Package 5 (Dissemination & Communication)

Socrates Stratis

Research Co-ordination Group, Work Package Lead 3 (Urban Subjects)

spacex Consortium Support

James Smith (University of Northampton): Website Design and Management

Marley Treloar (Coventry University): Consortium Administrator: Communication and Research Dissemination

Principal Investigators

Each partner institution in the consortium has a Principal Investigator (PI) to support their researchers. Unlike UKRI-funded projects, these PIs do not lead the overall project but instead play a facilitative role within their institutions and bring their research team together to engage with the project.

Some PIs have led training events (Jordan, Mahony, Lerm-Hayes, Francesca Chiaravalloti, Vittorio Iervese), while others have taken responsibility for Town Hall Events (Holub, Andri Christol, Jordan).

  • Andrew Hewitt, University of Northampton, UK.
  • Mel Jordan, Coventry University, UK
  • Jaspar Joseph-Lester, Royal College of Art, UK.
  • Socrates Stratis University of Cyprus, Cyprus.
  • Emma Mahony, National College of Art & Design, Dublin, Ireland.
  • Francesco Chiaravalloti, Christa-Maria Lerm Hayes, University of Amsterdam, The Netherlands.
  • Vittorio Iervese, University of Modena and Reggio Emilia, Italy.
  • Daniel Pelz, University of the Arts, Helsinki, Finland.
  • Stavros Stavrides, National Technical University of Athens, Greece.
  • Barbara Holub, University of Applied Arts, Austria.
  • Dusan Zahoransky, Academy of Fine Arts, Prague, Czech Republic.
  • Ryan Hughes Coventry Biennial, Coventry, UK.
  • Emer Grant, NN Contemporary, Northampton, UK.
  • Rosemary Grennan, Mayday Rooms, London, UK.
  • Maria Loizidou, Architecture, Art and Urbanism, AA&U, Nicosia, Cyprus.
  • Marianna Takou, Foundation Casco, Utrecht, NL.
  • Paul Rajakovics, transparadiso, Vienna, Austria.
  • Evdoxia (Xenia) Kalpaktsoglou, Laboratory for Urban Commons, Athens, Greece.
  • Suzanne Prinz, Kunstverein am Rosa–Luxemburg–Platz, Berlin, Germany.
  • Ludovica Fales, Festival dei Popoli, Florence, Italy.
  • Andri Christofides, Home for Cooperation (H4C), Nicosia, Cyprus.
  • Miguel Amado, Sirius Arts Centre, Cork, Ireland.
  • Carlos Noronha Feio, A Reserva na Fábrica, Oeiras, Portugal.
  • Alexandra Landre, Stroom Den Haag, The Netherlands.
  • Jitka Hlavackova, Prague City Gallery, Czech Republic.
  • Ilaria Speri, The Wonder Cabinet, Bethlehem.

Training Event Leads

Coventry Training Event, 30th June & 1st July 2022.
Lead: Mel Jordan, Coventry University.

Florence Training Event, 11th & 12th November 2022.
Lead: Ludovica Fales, Festival dei Popoli

Dublin Training Event, 2nd – 3rd March 2023.
Lead: Emma Mahony, National College of Art and Design (NCAD) and University College Dublin (UCD) with input from Project Arts Centre.

Amsterdam Training Event, 21st – 22nd September 2023.
Lead: Francesco Chiaravalloti and Christa-Maria Lerm-Hayes, University of Amsterdam

Town Hall Convenors

Oct 24th 2025, AIL (Angewandte Interdisciplinary Lab) at the Otto-Wagner-Postsparkasse.
Hosted by: Barbara Holub, University of Applied Arts, Austria and Paul Rajakovics (transparadiso)

TITLE, DATE, LOCATION TBC.
Hosted by: Andri Christofides, Hayriye Ruzgar Home for Cooperation (H4C), and Socrates Stratis University of Cyprus (UCY), Nicosia, Cyprus

Researchers

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